He spent one year studying at IRCAM in Paris (1994), and in 1995 participated in composition workshops with Klaus Huber and Brian Ferneyhough. from the University of Wisconsin-Madison in Economics. "Integration, Subversion and the Rape of Europa: Heinrich Böll’s Er kam als Bierfahrer," Comparative Literature 58 (2006): 387 â 402. rwolf@fas.harvard.edu Bick is currently preparing an intellectual and cultural history on the musical legacy of the New School for Social Research and its contributions to New York’s musical modernist and political culture during the 1930s. Phoebe Carrai, Harvard Baroque Chamber Orchestra One of her graduate seminars curated the exhibit, Unmasking Jim Crow: Blackface Minstrelsy in American Popular Culture, which drew on materials in the Harvard Theatre Collection. Her articles have appeared in Critical Inquiry, Ethnomusicology, Journal of the American Musicological Society, and many other venues. Monson has been awarded many honors including book awards from the Society for American Music and the International Association for the Study of Popular Music, a Guggenheim Fellowship, a Radcliffe Institute Fellowship, and a Stanford Humanities Center fellowship. Steven Takasugi, Associate Loren Kajikawa is an associate professor of music at the George Washington University’s Corcoran School of the Arts & Design. Chitra Ramalingam Lecturer in History; Postdoc Assoc FAS Faculty 320 York St, New Haven, CT 06511-3627 chitra.ramalingam@yale.edu 203-432-1049 Chitra Ramalingam Website After earning a BA in Music and History from Duke University, Shelley received his PhD in the History and Theory of Music at the University of Chicago. The question of Nature has long held special appeal to music theory. With the help of the Sound Lab, Rehding pursues the integration of multi-media projects into scholarship in the context of ongoing efforts to fully open up the humanities to the digital domain. In 1998, Iyer earned an interdisciplinary Ph.D. from the University of California, Berkeley, where his dissertation focused on embodied music cognition. Their unmatched musical lineage, in turn, links students to the classical masters. Associates Cortese has been music coordinator and associate conductor of the Spoleto Festival in Italy. Your first summative assessment will be written in response to an aspect of any one of the courses attended. As a cellist, she performed with the Toronto Symphony Orchestra, the Calgary Philharmonic, the Canadian Opera Company, National Ballet of Canada, and participated in studio productions that included films and commercial work in Toronto. Born into a musical family in Camaguey, Cuba, Yosvany Terry went on to classical music training in Havana at the prestigious National School of Arts (ENA) and Amadeo Roldan Conservatory. Jason B. Composer-pianist-scholar Vijay Iyer was named JazzTimes’s 2017 Pianist of the Year, DownBeat Magazine's Artist of the Year for 2016, 2015, and 2012, a 2016 United States Artists Fellow, a 2013 MacArthur Fellow, and a 2012 Doris Duke Performing Artist. twitter.com/vijayiyer During 2015-2016, she was the Marta Sutton Weeks Fellow at the Stanford Humanities Center. His 2017 dissertation, “Sermons in Song: Richard Smallwood, the Vamp, and the Gospel Imagination,” developed an analytical paradigm for gospel music that braids together resources from cognitive theory, ritual theory, and homiletics with studies of repetition, form, rhythm and meter. in Musicology from New York University, her B.M. Mr. Chong has received several awards and prizes such as the 2009-2011 Cleveland Quartet Award and top prizes at the Concert Artists Guild Competition, Young Concert Artists International Auditions, and the Bordeaux International String Quartet Competition. He specializes in contemporary musical practices from Latin America, the Caribbean, and Latinx peoples in the United States from historical and ethnographic perspectives. In addition, Rehding convened a colloquy on media theory and music that was published in JAMS in 2017. Music Building 305 N "Sinneverwirrende Töne: Musik und Wahnsinn in HeinesFlorentinischen Nächten," Zeitschrift für Deutsche Philologie 126 (2007): 1 â 18. Rehding has been especially interested in reflections on very long timespans and extreme slowness. Terry photo by Bill Dougart. Tutschku has composed music for film, theatre, and ballet as well as instrumental and electroacoustic music. He has also served as Director of the International Workshop in Jazz and Creative Music at The Banff Centre since 2013. A monograph on Beethoven’s Ninth Symphony appeared in 2017. His first studio recording with the Holden Choruses, featuring the choral music of Ross Lee Finney, was released in 2013. Her other accolades include prizes for all aspects of her work: as a flutist, she was First Prize Winner of the Concert Artists Guild International Competition, the National Young Artists Competition, and the Coleman National Chamber Music Competition; as an entrepreneur, she was awarded the Carlos Surinach BMI Award for Outstanding Commitment to American Music and the Champion of New Music Award from the American Composers Forum; and as a collaborator, she is a two-time winner of the Chamber Music America ASCAP Award for Adventurous Programming and winner of the Ensemble of the Year award from Musical America Worldwide. Prior to his appointment at Harvard, Clark was Artistic Director of the Providence Singers and Director of Choral Activities at Tufts University for seven years. Polina Dessiatnitchenko, Post Doc Fellow A winner of numerous competitions both at home and abroad, Kee won top prizes in virtually all of the major competitions in Korea, including the Ehwa, Sae-gae, and Korean Newspaper Competitions, as well as placing second in the Pusan National Competition. He, along with the members of the Parker Quartet, will begin teaching at Harvard University's music department beginning Fall of 2014. Lecturer on Music / Resident Dean, Dunster House Assistant Professor: Violin. The wider ramifications of questions of transmission and reconstruction led Rehding to an engagement with musical media, including notation but also recording technology. Ph.D. 1971, TU Berlin (with C. Dahlhaus) on ‘Italian opera arias of the early 18th century’. This has taken his work in a number of different directions from Ancient Greek music to the Eurovision Song Contestâand even into outer space. Czernowin’s output includes chamber and orchestral music, with and without electronics. *Member of the Graduate Faculty SCHOOL OF MUSIC FACULTY Other Penn State Locations. Working with the Sound Lab, Rehding’s recent work has particularly explored the interaction of music theory with culture and technology. D. in Musicology from Columbia University in 1984. Book Shelf, Quincy Jones Professor of African American Music, supported by the Time Warner Endowment Their co-authored book, entitled Music from Earth: Alien Listening and Voyager’s Golden Record will be published by Zone Books in 2020. Michael Sy Uy’s scholarly research focuses on music and patronage, philanthropy, arts education, cultural policy, and expertise. At Yale he studied composition with Jacob Druckman and Krzysztof Penderecki, and Schenkerian analysis with Allen Forte. He holds a B.M. 2787 With the Quartet, Ms. Bodner has recently appeared at venues such as Carnegie Hall, The Library of Congress, the Concertgebouw in Amsterdam, Wigmore Hall in London, the Musikverein in Vienna, and Seoul Arts Center, and has appeared at festivals including Caramoor, Yellow Barn, Perigord Noir in France, and Mecklenburg-Vorpommern in Germany. Professor Hastyâs compositions have most recently been performed by the White Rabbit Ensemble in the Harvard Group for New Music Series, and by the Contemporary Music Ensemble at the Strasbourg National Conservatory. Her current research investigates music and cultural mobility, and she is the editor of Music in the Mediterranean Diasporas, forthcoming in I Tatti Studies. Additional resources include a research budget (Bryan Fund), funding for summer language study, and subsidized private voice or instrumental studio instruction. He has conducted operatic and symphonic engagements throughout the United States, Australia, Asia and Europe. GSAS Alumni Drs. Suzannah Clark grew up mainly in Newfoundland, Canada and also went to schools in England, France, and Italy. Current Graduate Students She was chosen as a member of the Akademie der Kuenste in Berlin in 2017. His concert works are published by Schott Music. After graduating, Terry worked with major figures in every realm of Cuban music including pianists Chucho Valdes, Frank Emilio, and the celebrated nueva trova singer/guitarist Silvio Rodriguez. He held research fellowships at Emmanuel College Cambridge, the Penn Humanities Forum and the Princeton Society of Fellows before joining the Harvard Department in 2003, initially as Assistant Professor. Director of Undergraduate Studies Other publications include Let Jasmine Rain Down. Security: Politics, Humanity, and the Philology of Care (Princeton, 2013). Starting in 2013, she began a three-year stint as Reviews Editor for the Journal of the American Musicological Society. Claire Chase co-founded the International Contemporary Ensemble (ICE) in 2001, which has been extraordinarily successful in redefining the concept of a new-music group. paul.franks@yale.edu Phone: 203 432-1683 : Manon Garcia Asst Prof Philosophy (beginning July 2021) manongarcia@uchicago.edu Website: Tamar Gendler Dean of the Faculty of Arts and Sciences; Vincent J Scully Professor of Philosophy, Prof Psychology 1 Hillhouse Ave., New Haven, CT 06511 tamar.gendler@yale.edu Phone: 203 432-6087 : Daniel Greco Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, co-edited with Charles Hiroshi Garrett , is forthcoming from the University of Michigan Press, and she is at work on a book provisionally titled Civil Rights in the Concert Hall: Marian Anderson and the Racial Desegregation of Classical Music. Most recently his publications include âThe Image of Thought and Ideas of Musicâ in Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music, eds. The musicology faculty is also committed to exposing students to a variety of methodological approaches in historical musicology. Visiting Associate Professor of Music Jackson is a recipient of San Franciscoâs Dean Goodman Choice Award for Sound Design and Theatre Bay Areaâs Eric Landisman Fellowship. Cortese studied literature and humanities and holds a law degree from La Sapienza University in Rome. He taught at the University of Mainz and the University of Leipzig and was a research fellow at the Bach-Archiv, Leipzig, before joining the Yale faculty in 2003. Stanley A. In the Michaelmas term there are typically six topics: 1. historical musicology 2. current trends in music theory 3. aesthetics 4. the social and cultural study of music 5. performance 6. composition You may participate in as many of these seminars as you wish. Her current research centers on mischievous sound technologies and acoustic artifacts from the nineteenth and early twentieth centuries, and their place in histories of hearing and mishearing. The Music Department is made up of 25 permanent faculty whose expertise ranges from sound studies to chant, Schubert to Schenker, the musics of South Asia and Ethiopia to contemporary improvisation, Global Pop, Musical Theater, and jazz. In addition, he has been a conducting fellow at the Tanglewood Music Center. Andrew Hamilton, Max Paddison (2014). Suhnne Ahn joined the musicology faculty at Peabody Conservatory in 1997 after completing her Ph.D. in musicology from Harvard University. Ethnomusicology We take an expansive view of the field and encourage our students to do the same. E-Mail: sbick@uwindsor.ca, Sally Bick is an associate professor of musicology in the School of Creative Arts at the University of Windsor. (Pittsburgh Tribune) He has participated in many prestigious festivals, including the Mostly Mozart Festival, the Kronberg Cello Masterclasses and Festival, the World Cello Congress III, the Aspen Music Festival, and Music Academy of the West, among others. Associate Director of Undergraduate Studies Selected Works: Soliciting Darkness: Pindar, Obscurity, and the Classical Tradition (Harvard, 2003). Music, Madness, and the Unworking of Language (Columbia, 2008) [German translation: Musik, Wahnsinn und das AuÃerkraftsetzen der Sprache, trans. 2013 ) Prize of the Arts at Harvard University Canada and also went to schools England! Rehding has queried music theory also a performer on the editorial boards of music theory might look like centered theories... 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